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・ Variations in first-class cricket statistics
・ Variations of Australian rules football
・ Variations of basketball
・ Variations of golf
・ Variations of ordinaries
・ Variations of the ichthys symbol
・ Variations on "America"
・ Variations on "Gott erhalte Franz den Kaiser" (Czerny)
・ Variations on "I Got Rhythm"
・ Variations on "Là ci darem la mano" (Chopin)
・ Variations on a Blue Line
・ Variations on a Dream
・ Variations on a Korean Folk Song
・ Variations on A Love Supreme
・ Variations on a Nursery Tune (Dohnányi)
Variations on a Rococo Theme
・ Variations on a Theme
・ Variations on a Theme (David Thomas album)
・ Variations on a Theme (Om album)
・ Variations on a Theme by Haydn
・ Variations on a Theme by Tchaikovsky (Arensky)
・ Variations on a Theme of Chopin (Mompou)
・ Variations on a Theme of Chopin (Rachmaninoff)
・ Variations on a Theme of Corelli
・ Variations on a Theme of Frank Bridge
・ Variations on a Theme of Paganini
・ Variations on a Theme of Paganini (disambiguation)
・ Variations on a Theme Publishing
・ Variations on an Elizabethan Theme
・ Variations on an original theme in E-flat major (Beethoven)


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Variations on a Rococo Theme : ウィキペディア英語版
Variations on a Rococo Theme

The ''Variations on a Rococo Theme'', Op. 33, for cello and orchestra was the closest Pyotr Ilyich Tchaikovsky ever came to writing a full concerto for cello and orchestra. The style was inspired by Mozart, Tchaikovsky's role model, and makes it clear that Tchaikovsky admired the Classical style very much. However, the ''Theme'' is not Rococo in origin, but actually an original theme in the Rococo style.
Tchaikovsky wrote this piece for and with the help of Wilhelm Fitzenhagen, a German cellist and fellow-professor at the Moscow Conservatory. Fitzenhagen gave the premiere in Moscow on November 30, 1877, with Nikolai Rubinstein conducting. This was perhaps the only hearing of the ''Variations'' as Tchaikovsky wrote the piece until 1941, when it was played in Moscow without Fitzenhagen's by-then-standard emendations.
== Orchestration ==
The piece is scored for a reduced orchestra consisting of pairs of each of the four basic woodwind instruments, two horns and the usual strings, like the typical late 18th-century orchestra without trumpets or drums.

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